V seriji Zlomljene krajine raziskujem destrukcijo kot obliko konstrukcije – proces ustvarjanja novega dela z recikliranjem starejših ali poškodovanih keramičnih del. S tem nenehno postavljam pod vprašaj dokončnost forme in točko, na kateri material doseže svoj predvideni stadij. Ne glede na obliko ali namen umetniškega objekta ga nikoli ne dojemam kot nekaj dokončnega, temveč kot nekaj, kar se nenehno spreminja, odvisno od konteksta, časa in prostora.

Črepinja se v svoji formi skozi serijo pojavlja v vedno novih kontekstih in postaja vse bolj prisoten element ustvarjalnega procesa. Pogosto je povezana z negativnimi konotacijami in razumljena kot nekaj dokončnega, neuporabnega, kot nekaj, kar je treba zavreči. Toda zapečatena usoda črepinje izziva nove poglede ter potencialne interpretacije in kontekstualizacije neuporabnih elementov.

Zlomljene krajine raziskujejo razmerje med dokončnostjo in neskončnostjo prostora – tako razstavnega kot konceptualnega, miselnega in idejnega – ter hkrati odsevajo trenutno stanje družbe in narave.

In the series Broken Landscapes, I explore destruction as a form of construction, a process of creating a new piece by recycling older or damaged ceramic works. Through this, I continuously question the finality of form and the point at which the intended state of the material is achieved. Whatever the form or purpose of the artistic object may be, I never perceive it as something final, but rather as constantly changing, depending on context, time, and space. The shard, in its form, appears throughout the series in ever-new contexts, becoming an increasingly present element in the creative process. The shard is most often associated with negative connotations and understood as something final, useless, something to be discarded. The sealed fate of the shard challenges new perspectives and potential interpretations and contextualizations of useless elements. Broken Landscapes investigate the relationship between finality and the infinity of space (both exhibition space and conceptual/mental/ideational space) while simultaneously reflecting the current state of both society and nature.